Monday, 27 September 2010
Wednesday, 25 August 2010
My cat ATC finished. 'Rigsby' is for a private trade with a fellow artist and Flickr friend who is doing me a barn owl based on Soren, one of the owls in the Ga'hoole fantasy series. I've actually seen my barn owl already - he is beautiful and I will be delighted to have him as my first ATC.
Rigsby is on Clairefontaine Pastelmat in Faber Castell Polychromos and Prismacolors, 2.5"x3.5"
Tuesday, 17 August 2010
Tuesday, 27 July 2010
Monday, 26 July 2010
Monday, 19 July 2010
Anyway, he is progressing quite nicely I think and even Clive has said it is good!! This one might even be framed and hung on my wall.
Saturday, 17 July 2010
Friday, 16 July 2010
Sunday, 13 June 2010
Friday, 11 June 2010
Thursday, 10 June 2010
Tuesday, 8 June 2010
After a few busy days I finally got back to the drawing board. I began this new version of my sister's cat a few days ago, I was busy on it this afternoon when I remembered I hadn't done any scans. So you are seeing it a bit further on than my usual first wip - probably about 6 hours work so far, excluding the line drawing.
This is on Polydraw 050 double matt drafting film, using Faber Castell Polychromos. Black paper behind the film as I work and for the scan.
Already I am finding it difficult - with the polychromos I am finding it hard to get more than a three layers which isn't giving the depth of colour I would like. With the eyes I have worked on the reverse of the film to overcome this. Now I'm getting to the part I dread; choosing which colours to use for the fur. The colours in the photograph I had printed look way too bright and garish so I am toning them down quite a bit, referring to the computer for the colours and the photograph for the precise detail. I am using my new Optivisor for the first time, it is very helpful but at present gives me a headache after just a short time. I guess it is similar to having a new pair of glasses!
Monday, 31 May 2010
Wednesday, 19 May 2010
Saturday, 15 May 2010
Friday, 14 May 2010
Wednesday, 12 May 2010
Well, here's my second posting of the 'churchyard cat'. I know his nose isn't right so I'll need to try and alter it tomorrow. I feel I'm muddling through this piece rather, only having used the pastel pencils once before and then I followed a tutorial. I'm unsure of how many layers to put down and what colours. Why do I always have so much difficulty picking colours! Still, it is all practice and experience.
Tuesday, 11 May 2010
Sunday, 9 May 2010
Saturday, 1 May 2010
Thursday, 29 April 2010
Saturday, 17 April 2010
After some constructive criticism from my cp group the leopard went back on the drawing board. I've made a few small adjustments over the last few days and hope there is an improvement.
Now to decide on my next piece - I have two or three in mind.
Monday, 12 April 2010
I have booked myself a place on a two hour workshop in a couple of weeks time, I am hoping for some useful hints and tips. I would love to know how best to render fur!
I haven't decided on my next piece, but I don't think I'll use the pastelmat.
Sunday, 11 April 2010
I didn't get any colour suggestions yet so decided to get reckless and wade in anyway. I've added some Derwent Studios and FC Polychromos to the mix, I couldn't get what I wanted from the Prismacolors.
When I began drawing I thought that eyes / noses / mouths were the hardest, now however I think it's fur! This is because when I started my fur looked so unrealistic. It isn't much better now - but at least I know that, lol. Still lots to do on this leopard, I do think she is progressing reasonably well but I already know I'm not going to be satisfied with the finished picture. Working on a piece this small has been really difficult for me - how artists do miniatures and get amazing detail I have no idea! Part of the problem I think is the surface, I'm almost certain that I won't used the pastelmat for coloured pencils again (I prefer a smoother surface) but will try it for pastels at some point. But probably with my vision difficulties I will be better sticking to larger pictures, easier for me to see what I'm doing though of course things will take longer to complete, which I find frustrating. Patience, patience........
Friday, 9 April 2010
Thursday, 8 April 2010
As always when I'm having trouble I moved on and began putting down colour for the dark 'spots' in her fur. Yes, I know that yesterday I said it would be the lighter fur but somehow it just seems best to do it this way. At least I think she is now beginning to look like a leopard.
I was reading the site of cp artist Christina Langman at Big Cat Art yesterday, she has some amazing big cat portraits and a superb tutorial -parts of which I am using to get help with this piece but the tutorial uses a smooth paper so it isn't ideal - but for my next piece I think it will be invaluable. One of the big cat portraits took her 400 hours to complete!! Such patience and dedication. I should have a mantra and repeat it night and morning, "I must take my time, I must slow down", lol. And on another blog I read an old post which is also relevant for me. I easily get disheartened and think my work is rubbish and that I will never improve. This blog post said that natural talent, while useful, is NOT the most important thing - hard work, dedication, practise, practise and more practise is what counts. I'm encouraged by the thought that if I do that, I will improve. So no more self pitying, "I can't", I must go back to my Learning to Draw book and work through the exercises from the beginning again. Enough rambling, hopefully back tomorrow.
Wednesday, 7 April 2010
Here I have done a lot more layers on the eyes and most of the work on the nose. Unfortunately my initial line drawing has all but disappeared, I don't really know why as it didn't happen with the little cat drawing. In an effort to add back some of the lines I have managed to get a dent in the surface. Whether it will notice on the finished piece I don't know. This is all trial and error!
My next step is to start on the lighter coloured fur. I'm still undecided whether to put all the light in and then add the dark, or do it all as I go and work from top left to bottom right. Watch this space!
Tuesday, 6 April 2010
Striking while the iron is hot I have made a start on my next picture. This Amur Leopard is from a photograph I took at Marwell Zoo during 2009. I was lucky enough to be able to zoom in on her face and avoid the wire fencing. This is again on Clairefontaine pastelmat but I'm using my favourite Prismacolor pencils. It is the smallest piece I've done, being just 7" x 5". The eyes already have a few very light layers but still a long way to go. I upped the contrast a little after scanning in the hope that you would be able to see the outline but it is very faint. It is the right way up though, in case you were wondering - the leopard was lying on her side.
Monday, 5 April 2010
Wednesday, 31 March 2010
Sunday, 28 March 2010
Thursday, 25 March 2010
I'm finding the pastelmat very different to any other support that I've tried. This piece will be trial and error - I may even try the tutorial again once I'm used to the surface and know a bit more what I'm doing. So far, the eyes are far from being right - more work needed. I have to find out if there is a way to erase / lift colour from the pastelmat. I'm finding it quite hard to make the colours look blended, again something I have to find out about. Even if it turns out to be rubbish, I will try to finish this!